aux 88 mad scientist volume 2 marks the dark side of the scientist. fans have been asking for vinyl and aux 88 and puzzlebox records deliver. gosub and mr velcro fastener pump the song >exsterterestrial time travelers<with new surgeon like precision with aux 88s great vocalization over the top to give the electro world more of what only aux 88 can bring on a dance floor.
side b is the first of 2 ongoing collaborations with the dynamik bass system giving aux 88 even more bass. last is one of aux 88 croatian brothers nter from the crobot crew. taking on time portal nter gives his mix a electro funk style mix showing why the crobots have soul.

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

sonicultures label boss expander kicks it with an ep that will rock the most demanding dance floors. oh yes, the sweet sound of techno fills our ears with joy as we listen to two original tracks and a remix from well-known producer tadeo. >the waggler< is a bass driven ride on a roller coaster of madness. nifty synths and processed sounds are combined and mixed in a progressive manner, leading to a journey where flows of energy go different ways. the moments are there. the music is powerful. as it should be. spains own techno master tadeo from cyclical tracks, delivers another approach to >the waggler<, making it more pumping and enhanced with a touch of retro and a combination of futuristic sounds. a great remix from one of the most talented producers in the current scene. with >the wiggler<, expander rides towards a more hypnotic direction, still fuelled by heavy basslines and analogue sounds. the synth arrangements are totally mental and there is a sweet touch of darkness to the composition that makes everything even more interesting. are you a waggler or a wiggler? the choice is your

the response to sven kacireks album the kenya sessions (pingipung 20) was overwhelming. the cooperation between the drummer-producer from hamburg and musicians from kenya links electroni- ca with african recordings in a unique, exciting fa- shion. it therefore has been and still is being praised in various scenes from techno to jazz to world mu- sic. the cd will receive the award preis der deut- schen schallplattenkritik in may 2011, category: nu and extreme. also friends of the label have been enthusiastic about e quality of this material. pingipung therefore re- leases a 10inch vinyl with reworks of the album in the end of may. lawrence, hamburgs most melancholy house artist, co-owner of the labels dial, smallville and laid dedicates himself to the track kayamba tuc tuc. he reduces the track to its essen- ce, without adding anything new, and edit full of wisdom with heartfelt warmth. taprikk sweezee is the best known moniker of the musician nikolai von sallwitz next to gizmog or fussel . taprikk sweezee builds his soul glitch beats with ease, and he is by the way the most convincing electronic performer we know these days. one single track was not enough for his mix. wed love to see him dance with all the kenyan musicians who play on his two originals of choice, kayamba tuc tuc and mariae. furthermore on this 10inch: a rework of paperflowers by sven kacirek himself, created in cooperation with samy de- luxe producer sebastian winkler. finally, less a bonus but maybe the secret highlight: the ex- clusive sven kacirek track takaye village!

intecs jon rundell joins the rekluse stable with some fine tribal infused dance-floor madness.
ep supported by: richie hawtin, adam beyer, loco dice, umek, marco bailey, stephan bodzin, slam, gary beck, uto karem, spektre, pan-pot, joseph capriati, kaiserdisco, wehbba, tom findlay (groove armada), sharam, karotte, sian, danny tenaglia, stacey pullen, hernan cattaneo & many, many more!

big with: adam beyer: >..summer anthem!< , joseph capriati, samuel l session, davide squillace, danny howells, sian, karotte, laurent garnier, joel mull, marco bailey, sebrok, gregor tresher, diesel, alan fitzpatrick, ... with barely a breath after dmb004 comes another exclusive release from alexander kowalskis new label damage music berlin. the 1 inch >random pleasure< is the work of swiss electronic music dj, composer and producer david durango. in his numerous releases (pokerflat & mescene records) durango balances between deep and dark grooves to melodious and quirky dub vibes: here he oscillates between both levels. starting with the title track, the structure reveals consciously tight and multi-layered percussive hooks under the blanket of a substantial, dreamy bassline. the addition of a subtle, melancholic vocal sample ensures hypnotic effect. >ambivalus< walks right into a rather old school vibe, gathering strength with ever-increasing, spiraling keyboard stabs reminiscent of earlier rave eloquence that compels certain dancefloor revelry. the flip side sees the title track remixed by kowalski who treats the matter with his vivacious bite, stretching the voice, injecting a warbled fuzz bass and after a sublime break, enlarges the work to infectious dance dimensions. respected frankfurt artist patrick lindsey (terminal m & funkwelle) remixes the track additionally: he dissects the vocals, keeping the bass and keyboards minimally tight and sharply symmetric for a very mesmerizing treatment.

unos second release comes from montreals jacques greene. in his north american debut, we bring you two new tracks that reveal a darker, acid housed side of the lauded producer. lay it down unites bass swing with a floor shaking acid line thats known to make rooms dance like autism. new york house standards whatever/whatever give the flip side a jacking make over of 90s proportions. the hard hitting >what are you feelin< (which has been received much uk in the past year, including mary ann hobbs bbc show) finishes off the 12 inch, builds up the grand finale, after which you might find yourself in a puddle of something wet, wondering where greene went.

the kenneth bager experience strikes again with this catchy, feel good ragtime inspired dance tune that features aloe blacc on vocals. vocal mix from onur engin, a more 4/4 house flavored dub remix from tuccillo and the original accordion and clarinet album version. black vinyl in music for dreams sleeve.

mister saturday nights eamon harkin dishes out another dose of rocking revamps on this the second release from his subway series imprint. this time the throne of blood man takes three numbers which should be somewhat recognizable to discerning ears and mutates them into jams designed firmly for the dance floor. >party out of sight< is a superb re-work of the bill withers seminal harlem. this edit made its first mark a few years ago in an earlier guise on mp3 but has now been further spruced and improved for wax. >the better kind< stretches out joy divisions >means to an end< and underpins it with a rocking drum pattern whilst >turn up the funk< is an excellent re-work of the proto hip-hop number >shoot the pump< from back in the day. a real bumper package!

somewhat of a metaphor for britain, welcome to goon island is born from the great british art school tradition, the core of the band having met at art college in sothend, vivid, interesting, expansive and far-reaching, an aesthetic that seeps into everything they do from their other-worldly videos via intriguing photos to extra curricular activities such as training dogs to dance. yet such apparent frippery shouldn t disguise their uncanny ability to pen rather fine songs, as welcome to goon island attests.

this release is strongly recommended. the first record of the enlightened wax series is a fine blend of incandescent house and techno tracks, flaring through the darkness of the night. all the tracks are written, mixed, and produced without the use of any software. light 1 (6.14) is like a ray coming from a distant star: it is slow building up on a wide bass body rising from atmospherical pads. a deep house jam with a touch of hi-tech jazz . light 2 (4.51) scatters raw beats in the urban skyline. an old school piano sample in addition to a aggressive bass line are the foundation of the track. its a breath-taking piece at the furthest boundaries between techno and house. on side b, the delightful journey continues with light 3 (5.34) an hymn to the glorious past of dance music. solid beats, ground shaking low frequencies, joyful voices, soulful piano chords call up the assembly for a return of the shining days. light 4 (6.06) fuses garage sounds and techno attitude. its massive dubby base breaks through sonic barriers. a dancefloor striker

the black tokyo project cd has been very successful for the enigmatic duo from detroit along with their two new japanese members ice truck and erika. remix sessions 1 embodies some of techno music hottest and charismatic artist such as bpitch control ellen allien, planet es keyboard guru niko marks from detroit and canada live impresario arthur oskan. ellen allien remix real to reel gives a tight minimal beat driven retake on an aux 88 funky groove. rounding out side a aux 88 original previously only available on the full length cd. side b shows why niko marks can take the >title track black tokyo< in a more kraftwerken sort of way with heavy beautiful strings and funkified groove. soul of black shows arthur oskan dance production skills as he delivers a bonafide minimal bass driven delight.

faze action maintain their fine run of form in 2011 with this four tracker from the shack, aka guy williams and dan williams (not related!) both have been active in dance music from the early 90s, with guy holding dj residencies at clubs such as the ministry of sound and turnmills during their pomp while dan williams aka d.r.w carved a career as a singer/songwriter. together as the shack they have absolutely nailed it with >touch it<, a sleazy-does-it italo peak time jam. arpeggiated synth lines, catchy vocal hooks and instant bassline work in jotous unison with some cowbell carnage. the 12 inch comes replete with a dub version and boogie influence faze action remix. rounding off the release is another original cut, namely >dont stop, in which tough drums combine with a late night vocal intoning the track title to bewitching effect. this shack attack has already found its way into the record bags of pete herbert and severino - expect it to be in many more come summer s end.

there are certain songs that are so very good, the only singular word that accurately describes them is satisfying. >wait & see< is one of those: an aural pleasure that scratches an itch and hits the spot so precisely, it almost feels like self-denial not to listen on repeat. on holy ghost!s latest ep, the absurdly catchy single from their self-titled 2011 debut gets a makeover from three of dance musics titans: cfcf, kris menace and richard x. and while this batch of remixes finds the artists behind each track steering in new directions, each finds a way to capitalize on the irresistible danceability of the original.

the debut album from young legionnaire, released on the 9th of may.
produced by rich jackson (future of the left, the automatic, the chapman family), crisis works combines the ferocious dynamics of … trail of dead with the intensity of husker du, crisis works is an album full of power, intent and brilliant songs

the second of two eps, this one featuring seiji and zed bias remixes. skream literally doesnt rest. quite clearly the south london dj and producer loves what he does, and what he does involves constantly challenging the ever changing musical landscape before him. the last 18 months has seen skream release two highly anticipated albums – his second solo album >outside the box< released on tempa in august last year and magnetic mans debut album, which sees him partnered alongside fellow dubstep pioneers benga and artwork.
strong radio support from radio 1 (daytime and specialist) and 1xtra (shy fx remix placed on a-list on april 8), confirmed plays of the music video on mtv dance, nme tv, the box and channel aka, and dj support from benji b, laurent garnier, brackles, ez, ramadanman/pearson sound, annie mac, zane lowe, dj hype + more

a very special release here from legendary rave producer eon, aka ian loveday. loveday, who passed away in 2009, was known and loved for his enduring impact on uk dance culture, although sadly this was the one and only release on his zarnak records imprint (although loveday himself released 12 inches on a host of labels including pal sl, vinyl solution and plus 8). upon release the papal magnet 12 inch sold out swiftly and soon became a highly sought after record - this batch was found recently and has been passed onto us with the blessing of lovedays family. on the a side you will find the relentless late night throb of >cable rider< - 90s techno at its finest. flip over for the moody introspection of >passing clouds< and raw, dusty analogue thump of >crosstown< - our pick of the bunch. an excellent release.

jeroen verheij has been churning out dance floor smashing tracks for almost as long as many of todays clubbers can remember under his aliases secret cinema, grooveyard and meng syndicate to name a few. tracks like timeless altitude, mary go wild (ec records) and kurzweil (cocoon) invoke warm memories in many of us. in december of 2009 verheij set up his own label gem records and started to release the unique sound he is famous for as a dj. now, just over a year later, gem releases its first full album - and this ep is the first preview from it!

last year, wayan raabe and arne shaffhausen had their debut on boxers >different< compilation with their downbeaty track >yummy—gorgeous<! and now, we proudly present their follow-up: with >yummy unbroken<, you will be irresistibly drawn on to the main dance-floor—this is the deluxe version of premium techno. both title track >vorsprung durch hektik< (engl. progress through stress) and >wasteland< offer an abundant vision of futuristic melancholy constantly in motion, yet at the same timeÊ smooth and well-balanced... like the perfect mix between neon colours and different shades of grey.

jeroen verheij has been churning out dance floor smashing tracks for almost as long as many of todays clubbers can remember under his aliases secret cinema, grooveyard and meng syndicate to name a few. tracks like timeless altitude, mary go wild (ec records) and kurzweil (cocoon) invoke warm memories in many of us. in december of 2009 verheij set up his own label gem records and started to release the unique sound he is famous for as a dj. now, just over a year later, gem releases its first full album - and this ep is the first preview from it!

knight moves - the last single from ivory tower after the locarno film festival prize-winning feature film ivory tower, the soundtrack chosen by apple for their ipad ad, the singles never stop on phantasy records (erol alkan), i am europe on boysnoize records and the inter-planetary hit you can dance with its near 1 million youtube views, here the last single from ivory tower. starring the exclusive chilly gonzales solo piano version as well as the original album version, the tracklist ist completed by 2 remixes: dj koze - the master of the abstract and romantic productions turns knight moves into a sweet hiphop soul version, using feists vocals only. lone - newcomers from london with releases of r&s and boysnoize rec, takes the original idea of the song and gives it a more electronic-house feeling. from his own words his best remix to date

early support by marc depulse, matt star, julien chaptal, emerson, helmut dubnitzky, toni haupt, sven teet, and many more....
a wave of unmistakable sound is currently blasting its way through clubs all around the globe.the release of his debut track >bed swing< pushed newcomer fabe into the eye of public attention and it is not surprising that the >bed swing ep< rocked dance floors of clubs like tresor (berlin) even before its official release. in addition to the original mix you will find a mesmerizing remix byholgi star (kiddaz.fm, micro.fon) & pierre deutschmann (plattform b, kiddaz.fm, k: lender) - the best mix for an audiophile firework. french sound artist super tape, who is well known for his club and party music just as much as for his home-suitable tracks, gives the >bed swing ep< a finishing touch.

a journey into electronic, soulful, afro & latino rhythms
there are few labels who will get the opportunity to work extensively with the most dynamic remixers, djs and producers of this decade. bbe seems to keep coming up trumps. grammy award winner louie vega has been on top of the dj game for over 2 decades.

“midnight feast of jazz” is therefore the first official full-length for this group, and includes 10 tracks of phat grooves, smooth arrangements and dance-floor friendly soul jazz available on cd/digital and limited edition lp!

cult combo hiem (crosstown rebels, eskimo,..) strike back with another epic stadium dance anthem - a must have!
tim paris marketing music label is back with hiem new single >freaky nights< complete with two remixes by the label boss tim paris and french dj / producer darabi of get the curse fame.

breakin bread continue to support the specialist soul and funk scene with a release from edenheight. they are not a new band, these guys have been gigging hard all over bristol and the south west, but it is their debut vinyl release. its not just another new funk offering, the band have a tightness from all the gigs and 2 superb female vocalists that make these tracks stand out from the pack.
edenheight are a deep-groovin and original outfit with a soulful urban sound. forged in bristol, their list of influences favour more percussive styles including afro, funk, hip hop + dub, and as such dance-ability is a precedent. this standard owes as much to an evolution in the citys underground live scene as to their appreciation of high energy musicianship and production.

peters love of obscure disco and house shows in this solo album - wide ranging influences have gone into the musical hot-pot. take the slo-mo lazy groove of lead track and opener love is the key . this sets the sonic palette, laid back, underground and understated (but cucumber cool) throughout. deliberately absent are the commercial and pseudo-poppy sounds from the visti and meyland 2010 debut. this record is a club affair, less in your face and more all around you . for example lost in space is one part elastic groove, one part melodious, enveloping ambience and one part progressive disco groove. tracks such as i m out the door , bubble bubble and drinking in darkness are more direct, straight dance floor booty-shaking grooves. as is what you would expect from the man who has dj stamped firmly into his dna.

for berkane sol 18 we present the vinyl debut of the hugely talented aleks zen. he calls his outfit >neon bounty< and its easy to hear why. his brightly coloured music is like the soundtrack to a thrill seekers ride through the downtown areas of a tropical metropolis – sensuous but edgy, and properly booming on the right kind of car stereo. his riddims are propulsive and a joy to dance to, bringing together the best aspects of both house and dubstep.

here comes 2001 so lets all head for the sun!
an experimental surf dance quintet. fixers have been playing and recording together for just under a year, blending the sixties psychedelic childlike innocence of brian wilson and bruce haack with the spaced out eighties avant-garde dance of arthur russell, dead can dance and tom tom club.

at the moment kid culture is without doubt one of the most exciting prospects to emerge from amsterdams fertile dance scene. he is the main dutch producer for the famous suara label led by dj coyu, kid has created the chance to shine on big labels like gruuv, yoshitoshi, sincopat, catwash and now bitten, the fresh new label runned by 2000 and one and sandy huner. this release features three funky tech-house tracks that deliver on any the dancefloor!

yambee! is the first collaboration between dancefloor giants ashley beedle and yam who?. chemical love is an epic sampledelic jazz dancer with detroit overtones (think theo parrish or moodymann) thats sure to mash up any dance. natural off is a lysergic disco monster which gives a nod to the hard times we are living in. this will be the first of a series of yambee! 12inch platters that will be coming out on ashleys out hear audio imprint.

like two sides of the same coin, paris and los angeles share a certain savoir faire – an enthusiasm for creativity and the arts plus an innate sense of hedonistic fun. to that list you can now add another, as currently both cities are home to some of the most exciting young labels, parties and musical talent in dance music. collectives that are defining the future sound of underground music, not just in their respective cities, but across the globe

we are proud to present the first release of french artist nhar on 200 records. we have always been deeply impressed by the unique and sublime sound of nhar – heard on numerous releases on labels like wir, modelisme, time has changed, sonic culture, mina and many more. megumi and bluedrop both have everything, we expect from tracks released on our label: two brilliant, timeless, deep and majestic dance floor tunes.
this vinyl ships with a download code that includes both tracks.

jeroen verheij has been churning out dance floor smashing tracks for almost as long as many of todays clubbers can remember under his aliases secret cinema, grooveyard and meng syndicate to name a few. tracks like timeless altitude, mary go wild (ec records) and kurzweil (cocoon) invoke warm memories in many of us. in december of 2009 verheij set up his own label gem records and started to release the unique sound he is famous for as a dj. now, just over a year later, gem releases its first full album - and this ep is the first preview from it!

the clover deliver their second release on clap your hands called >people power ep<. get ready for 3 unique tunes! >manifesto< on the a side is going to be perfect for your summer festival set. >cosmic jam< follows on the b side and will funk your dance floor like no tune before.

throne of blood present ford inc, mission 1 ... a-side >satire< recalls the deepest moments of classic transmat artists like mayday, pairing uplifting pianos with emotive synths and a propulsive vision of techno-futurism. on the flip, >delirium< lives up to its name, pairing a dissociative bassline with jazzy vamps and organic drums. eschewing the obvious big room crowdpleasing maneuvers in favor of emotional and melodic complexity, the latest on throne of blood marks the arrival of something special in dance music. keep an ear to the ground for more from ford inc later this year.

**hand-stamped white label, limited edition of 400** four effluvial techno and industrial bass weight remakes of tracks from cloaks debut lp by ancient methods, justin broadrick, oyaarss, and legion of two. >versus grain< was one of the darkest transmissions we caught in 2009, whose rotten and rusted fruits provide brilliantly raw material for the remixes. its worth the cost of entry alone for ancient methods nine-minute viking ruffige remix of >r.f.i.d, the kind of northern european tribal funk workout that makes folk dance like they mean it. on a more crushed and crushing tip, legion of two dole out scorn-strength percussion and muscle tearing bass torsion on a remake of >against<, while oyaarss dismantle >sixmenace two< and rebuild it as frankensteinian dancefloor monster. to polish off the foolhardy few still standing, justin broadrick (jesu, godflesh) detonates >rust on metal< with bombastic halfstep force, giving a bitter taste of what to expect from his 3by3 album, due out next year. heavyweight.

skylax records, the company focused on releasing original obscure dance classics and everything that sounds fine to their ears! for our 21. release we decided to bring you guys >motorik life<, the brand new single from the inimmitable hardrock striker, the brain behind skylax.

2-in-1 release from defected, featuring eps by king unique and fatty acid.

you like oldskool? we surely do. anil aras, stooge wilson, samuel deep and firdjel medar are four dj/producers from the netherlands with a strong passion for oldskool - garage - influenced house music. they present three toolish cuts guaranteed to make you dance and describe their style as slapfunk wich also is the name of their soon-to-be-launched own label. for now they present us three great tracks for off: >street movement< and >original slapfunk< are intense bassheavy groovetools, while >set the record straight< adds some true new york vibe on top of a straight up 909-groove. olene kadar, one of the rising stars on the dutch scene thanks to his recent bombs like >baby keep it up< delivers a great remix for samuels >street movement<, all focused on that massive garage-sub.

this release represents the inception of aniligital musics curator series. limited edition vinyl-only releases of exceptional music. chocolate penthouse is a musical collaboration between jean-claude bertrand and julian juju barber. they refer to themselves as self-loathing frenchmen in pursuit of dance and music perfection. the bands >whitney houstons bathroom ep< is a product of their braguette dissertation at juilliard. the san francisco-based duo melds punk rock roots with modern-day dance d ontologie. electronic music that reflects the spirit of live performances, where themes and phrases emerge while transitioning organically, inspired by the moment rather than a pattern. also included on the record is tal m. kleins manchester inspired remix of the bands >quiche aux trois fromages<.

proving they cant be pigeon holed into any one particular niche, midnight lab band returns with a 7-inch release inspired by 80s drum machines and provocative synthesized chops. >laser tag< is a high powered infusion of dark disco soundscapes, a thumping yet nostalgic vision of dance music through the lens of mlb. on >dons demo<, the lab dives into the family archives to resurrect and refashion an obscure yet timely recording from don stark. channeling earlier eras of mid-tempo mustache soul and one-man synthesized ensembles, this is a slow boogie burner to ride to.

2017 repress, the r&b ep is a selection of ground breaking, genre blurring bootlegs / edits. these tracks continue our mission to change the way we dance, from the minimal 2-step to a much freakier marcy grind. all three cuts have been a major part of our dj sets over the past few tours and everything is dance-floor approved (in some cases even with sing-a-long). it is with great pleasure that we can share this with you for this limited edition pressing! extravaganza - a guaranteed >ladies-report-to-the-dancefloor-for-booty-shake< anthem, this tune tells the story of the romance/heartbreak from a one night stand. sex in the kitchen – over by the stove, put you on the counter by the buttered rolls… its rare to get into such fine details about the culinary arts while raving, and now this bass heavy edit done changed the game. dreams of tomorrow – take one colombian jam session, add a sprinkle of lee curtiss drums and a whole lot of lonnie liston smith and what do you get? mo money

for release no.4 sudden drop enlisted the talents of russian based recording artist & dj tripmastaz, who has been producing for the likes of morris audio and most noticeably dj sneaks magnetic recordings imprint since 2004. with each release his sound seems to get more defined and mature and our attention which seriously pricked when we first heard his tracks being played on jus-eds radio show. we quickly got in touch and asked for some tracks. first up is >utilized stock sounds<, originally produced in 2003 this melancholic slab of deep techno deservedly finally sees the light of day with a grimy lo-fi feel and enough dance floor nous to work the floor admirably. flip side track >botinko dub< injects a big, cavernous bass line and razor sharp hats n snares.

kitsune maison 11 >the indie dance issue< will be out worldwide on may 16th with rare and exclusive tracks by is tropical, creep, peter & the magician, housse de racket, polarsets and many more!

when we heard pompeya for the first time and were told they were from moscow, we were like: - what!? are you kidding? this is probably the first russian band singing in english with such a classy brit touch and male vocal being very strong and sophisticated at the same time. they jestingly describe their style as >melodramatic popular song< and >cheenese< is indeed a very dramatic piece with simple yet powerful composition and lyrics that really make big sense. the original is very well supported by a bunch of remixes each of which is unique on its own. an-2 & samos come with a warm, relaxed and funky instrumental version which is followed by a blockbuster mix from moscow disquo maestro leonid lipelis (an entirely perfect dance version of the original that could ever exist) and finally, for those few sirs and mesdames who are not yet aesthetically satisfied and who still find themselves seated while others jump and shout, here come d-pulse with their paranoid mix that gathers the thunderclouds to the full darkness and - at the end - lets the revival sunbeams break through.

the guynamukat limited edition afro disco boogie edit series goes from strength to strength with volume 4 just in time for the summer festivals and sunshine filled outdoor dance jams ... all these four tracks are peak time players with guynamukat crew diggin deep to unearth lesser known soon to be dance floor classics.
dj support from: greg wilson, al kent, sofrito crew, ltj experience, sadar bahar, nick the record, mr scruff, kay suzuki, pat les stache, nicholas, eddie c, faze action, azztronik, kyoto jazz massive ...

the aliens dropped their first tune >exterminate< and >their here< to critical acclaim setting the dub step forums and dance floors alight. the guys now come with their second release and drop two brutal dub step bass heavy steppers on us. there is a lot of chatter about who the aliens are with names of a number of top dubstep artists in the frame. however it doesnt really matter who is behind this release as the music clearly speaks for itself. these new tunes have been causing chaos on the dance floor with their destructive basslines and nasty switches and being supported by the cream of the dub step scene including kromestar, skream, n type, hatcha, walsh, f1 and the aliens.

incl 12inch & cd album. snugness and calmness are important ingredients for a fulfilled life- and for entertaining dance music as well, as is proven by the gentlemen schaeufler and zovsky. their debut album could be characterized as a cunning mixture of humorously grinning relaxation and pushing dance floor bounce. this unique sound reflects the stylistic background of the duo: while the one keeps grooving on the laid back and independent vibe of his rural home mecklenburg, the other moved to berlin already some time ago and inhales all the diverse, international influences of the electronic metropolis. the village is rhythmically fuelled by casual and lasciviously house tunes with a warm and friendly character, supported by organic, dubby bass lines. matching this positive and uplifting mood, light melodies, classical styled filter modulations and unobtrusive vocal entries remind the laid-back amusement of a sunlit sunday outing.